corner | ∈ ∈ ∈   | deutch french | syn syn syn syn | syn syn syn syn |
corner n 1: a place off to the side of an area; "he tripled to the rightfield corner"; "he glanced out of the corner of his eye"
2: the point where two lines meet or intersect; "the corners of a rectangle"
3: an interior angle formed be two meeting walls; "a piano was in one corner of the room" syn nook
4: the intersection of two streets; "standing on the corner watching all the girls go by" syn street corner, turning point
5: the point where three areas or surfaces meet or intersect; "the corners of a cube"
6: a small concavity syn recess, recession, niche 7: a temporary monopoly on a kind of commercial trade; "a corner on the silver market"
8: a predicament from which a skillful or graceful escape is impossible; "his lying got him into a tight corner" syn box
9: a projecting part that is corner-shaped; "he knocked off the corners"
10: a remote area; "in many corners of the world they still practice slavery"
11: (architecture) solid exterior angle of a building; especially one formed by a cornerstone syn quoin
v 1: gain control over; "corner the gold market" 2: force a person or an animal into a position from which he cannot escape
3: turn a corner; "the car corners"
Source: WordNet. Princeton University
Corner The "corner" of the field was not allowed, (Leviticus 19:9) to be wholly reaped. It formed a right of the poor to carry off what was so left, and this was a part of the maintenance from the soil to which that class were entitled. Under the scribes, minute legislation fixed one-sixtieth as the portion of a field which was to be left for the legal "corner." The proportion being thus fixed, all the grain might be reaped, and enough to satisfy the regulation subsequently separated from the whole crop. This "corner" was, like the gleaning, tithe-free.
Source: Smith's Bible Dictionary, 1884
link:
|
35377
Dracula (Four Corners Familiars) by Bram StokerFour Corners BooksTruly a Dracula for both art and book lovers, this new edition of the most famous of vampire tales completely overhauls the notion of how a literary classic might be creatively revisited. James Pyman is already famed for his eerily exacting and hallucinatory draftsmanship, as well as for his relish for the exploration of book formats such as cartoon or children's books, and is therefore ideally suited to the illustration of this volume. Herein, Pyman returns to the original text, illustrating a line or phrase from each of the novel's 27 chapters in a series of wonderfully sinister and weirdly clinical pencil drawings. The book, which Bram Stoker composed as a series of diaries, letters and newspaper cuttings, has been typeset by designer John Morgan with a different typeface allocated to each character--each font being based on those in use at the time of the book's original publication. As a final flourish, the striking bright yellow clothbound cover, with its vivid red lettering, is based on that of the first UK edition. In Cassie's Corner by Dale MayerValley PublishingThis book 220 pages in book form.
Faith and loyalty are tested as a young girl learns what it is to believe - in herself, in her friends, and in life after death. Cassie's best friend, bad boy Todd, is gone. Gone as in dead. Gone as in ghost. But she doesn't realize that when he wakes her in her bedroom and begs her not to believe what they say about him. It's not until the next day when her parents tell her about the accident that she learns the truth... The police believe Todd was living up to the family name, drinking and driving and coming to a predictable end. It's up to her to find out the truth and clear his name. Todd is shocked at his sudden change in circumstances...and angry. He struggles with his new ghostly reality, realizing all he's lost as he watches his brother build a relationship with Cassie as the two pair up to find out what really happened to him. The truth isn't always pretty, and Cassie has to be stronger than ever before. Especially when the whole world seems to be against her. This book 220 pages in book form.
Faith and loyalty are tested as a young girl learns what it is to believe - in herself, in her friends, and in life after death. Cassie's best friend, bad boy Todd, is gone. Gone as in dead. Gone as in ghost. But she doesn't realize that when he wakes her in her bedroom and begs her not to believe what they say about him. It's not until the next day when her parents tell her about the accident that she learns the truth... The police believe Todd was living up to the family name, drinking and driving and coming to a predictable end. It's up to her to find out the truth and clear his name. Todd is shocked at his sudden change in circumstances...and angry. He struggles with his new ghostly reality, realizing all he's lost as he watches his brother build a relationship with Cassie as the two pair up to find out what really happened to him. The truth isn't always pretty, and Cassie has to be stronger than ever before. Especially when the whole world seems to be against her. The Picture of Dorian Gray (Four Corners Familiars) by Oscar WildeFour Corners BooksOscar Wilde's classic book - his only novel - follows the fortunes of a young man of leisure in fin-de-siecle London after he makes a deal with the devil: that he shall always stay young, while his portrait grows old in his place. Artist Gareth Jones re-imagines the story as a costume drama set in 1970s Paris, in a large-format edition that returns the book to its origins in a magazine. This is the first in a series of books, called Four Corners Familiars, that feature artists' responses to classic novels and short stories. A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden." As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." Hotel on the Corner of Bitter and Sweet by Jamie FordBallantine Books- ISBN13: 9780345505347
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol.
This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept.
Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago.
Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart.
"Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices."-- Kirkus Reviews
“A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel." -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain
“Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.” -- Lisa See, bestselling author of Snow Flower and the Secret Fan Hell's Corner by David BaldacciVisionOliver Stone and the Camel Club return in #1 bestselling author David Baldacci's most stunning adventure yet.
An attack on the heart of power . . .
In sight of the White House . . .
At a place known as . . .
HELL'S CORNER
John Carr, aka Oliver Stone-once the most skilled assassin his country ever had-stands in Lafayette Park in front of the White House, perhaps for the last time. The president has personally requested that Stone serve his country again on a high-risk, covert mission. Though he's fought for decades to leave his past career behind, Stone has no choice but to say yes.
Then Stone's mission changes drastically before it even begins. It's the night of a state dinner honoring the British prime minister. As he watches the prime minister's motorcade leave the White House that evening, a bomb is detonated in Lafayette Park, an apparent terrorist attack against both leaders. It's in the chaotic aftermath that Stone takes on a new, more urgent assignment: find those responsible for the bombing.
British MI-6 agent Mary Chapman becomes Stone's partner in the search for the unknown attackers. But their opponents are elusive, capable, and increasingly lethal; worst of all, it seems that the park bombing may just have been the opening salvo in their plan. With nowhere else to turn, Stone enlists the help of the only people he knows he can trust: the Camel Club. Yet that may be a big mistake.
In the shadowy worlds of politics and intelligence, there is no one you can really trust. Nothing is really what it seems to be. And Hell's Corner truly lives up to its name. This may be Oliver Stone's and the Camel Club's last stand. The English orphans (Chimney corner series)by Mary Jane HolmesF.M. LuptonThe person addressed was a pale, sickly-looking child about nine years of age, who, on the deck of the vessel Windermere, was gazing intently towards the distant shores of old England, which were fast receding from view. Near her a fine-looking boy of fourteen was standing, and trying in vain to gain a look at the features so securely shaded from view by the gingham bonnet. The Best of Jonathan's Corner: An Anthology of Orthodox Christian Theology by Christos Jonathan Seth HaywardC.J.S. Hayward PublicationsForeword
By Sydney Nicoletta W. Freedman
'The Best of Jonathan's Corner: An Anthology of Orthodox Christian Theology' is a book that provides not only a good introduction to the author's work but also a dose of the clear thinking and spiritual wisdom prescribed for our times. The author lives to create treasure, and he has mined, refined, and gathered wisdom for our age. It is not new knowledge, but rather, it has been artfully distilled from the writings of Church Fathers and his own life, from study and experience.
The pieces in this book speak with clarity about spiritual topics and with depth about practical ones, addressing the intrigues and issues that we all face, explore, and question. Orthodox Christian readers will find insightful discussions of art and worship, such as 'Lesser Icons,' and lucid, applicable discussions of the spiritual life, such as 'God the Spiritual Father.' This Eastern Orthodox perspective may shed light on matters for readers from other traditions as well. Such is especially true for pieces on such timely issues as economic hardship ('Money' and 'The Best Things in Life are Free') and the discussion of religion and science, including '"Religion and Science" Is Not Just Intelligent Design vs. Evolution.'. Regarding this latter work, a Roman Catholic reader recently deemed it to be one of the 'most intelligent and erudite' things that he has ever read. The essays on silence, the place of technology, and nature are treasures among the discussions of such popular and important issues. For those concerned with Orthodox theology and where it stands in relation to other denominations, 'An Open Letter to Catholics on Orthodoxy and Ecumenism' is profitable reading. Illuminating reflections on the Christian life, including 'An Author's Musing Memoirs' and 'Maximum Christ, Maximum Ambition, Maximum Repentance,' crown the theological articles, stemming from Hayward's experiences and vast knowledge of Orthodox theology. The homilies, articles, commentaries, and essays in this book are treasure enough, but the talented writer has also included numerous creative pieces.
The poetic and fictional works in this book offer the same spiritual knowledge for which our society thirsts but in the deeper and more elevated way that is inherent to their genres. Some of the poems, 'Open,' for example, are prayers, which readers may find to voice some of their own words and which fittingly glorify God and His saints. Other poetry, such as 'How shall I Tell an Alchemist,' pointedly deals with questions of spirituality and theology with the magnified acuity that only this particular art can achieve. Socratic dialogue ('The Damned Backswing') and other creative forms play their part as well, rounding out the book.
The work that stands out most among the creative pieces, perhaps among all of them, is that which opens the book, 'The Angelic Letters.' I have had the pleasure of reading nearly all of Hayward's writings, and I was delighted that he undertook to write such a work. Readers who are familiar with C. S. Lewis' 'The Screwtape Letters' will recognize at once that it is the very book which that author desired, but felt unable, to write in order to balance the demonic correspondence. It is a mark of Hayward's skill, knowledge, and spiritual insight that he has successfully written something that such a theologian as Lewis did not wish to attempt, and according to a psychologist of his acquaintance, the average Harvard PhD has not ever met someone as talented as Hayward. He has of course accomplished this work with God's help, but one must realize the spiritual struggle, mental effort, careful study, and deep prayer that has gone into every piece in this anthology. Foreword
By Sydney Nicoletta W. Freedman
'The Best of Jonathan's Corner: An Anthology of Orthodox Christian Theology' is a book that provides not only a good introduction to the author's work but also a dose of the clear thinking and spiritual wisdom prescribed for our times. The author lives to create treasure, and he has mined, refined, and gathered wisdom for our age. It is not new knowledge, but rather, it has been artfully distilled from the writings of Church Fathers and his own life, from study and experience.
The pieces in this book speak with clarity about spiritual topics and with depth about practical ones, addressing the intrigues and issues that we all face, explore, and question. Orthodox Christian readers will find insightful discussions of art and worship, such as 'Lesser Icons,' and lucid, applicable discussions of the spiritual life, such as 'God the Spiritual Father.' This Eastern Orthodox perspective may shed light on matters for readers from other traditions as well. Such is especially true for pieces on such timely issues as economic hardship ('Money' and 'The Best Things in Life are Free') and the discussion of religion and science, including '"Religion and Science" Is Not Just Intelligent Design vs. Evolution.'. Regarding this latter work, a Roman Catholic reader recently deemed it to be one of the 'most intelligent and erudite' things that he has ever read. The essays on silence, the place of technology, and nature are treasures among the discussions of such popular and important issues. For those concerned with Orthodox theology and where it stands in relation to other denominations, 'An Open Letter to Catholics on Orthodoxy and Ecumenism' is profitable reading. Illuminating reflections on the Christian life, including 'An Author's Musing Memoirs' and 'Maximum Christ, Maximum Ambition, Maximum Repentance,' crown the theological articles, stemming from Hayward's experiences and vast knowledge of Orthodox theology. The homilies, articles, commentaries, and essays in this book are treasure enough, but the talented writer has also included numerous creative pieces.
The poetic and fictional works in this book offer the same spiritual knowledge for which our society thirsts but in the deeper and more elevated way that is inherent to their genres. Some of the poems, 'Open,' for example, are prayers, which readers may find to voice some of their own words and which fittingly glorify God and His saints. Other poetry, such as 'How shall I Tell an Alchemist,' pointedly deals with questions of spirituality and theology with the magnified acuity that only this particular art can achieve. Socratic dialogue ('The Damned Backswing') and other creative forms play their part as well, rounding out the book.
The work that stands out most among the creative pieces, perhaps among all of them, is that which opens the book, 'The Angelic Letters.' I have had the pleasure of reading nearly all of Hayward's writings, and I was delighted that he undertook to write such a work. Readers who are familiar with C. S. Lewis' 'The Screwtape Letters' will recognize at once that it is the very book which that author desired, but felt unable, to write in order to balance the demonic correspondence. It is a mark of Hayward's skill, knowledge, and spiritual insight that he has successfully written something that such a theologian as Lewis did not wish to attempt, and according to a psychologist of his acquaintance, the average Harvard PhD has not ever met someone as talented as Hayward. He has of course accomplished this work with God's help, but one must realize the spiritual struggle, mental effort, careful study, and deep prayer that has gone into every piece in this anthology. The Corner (Slim's Revenge) (Alex Richardson Novels) by Alex RichardsonMiller Beach PublishingSLIM-has made millions, legally and illegally. He is about to retire from the game with the beautiful Lisa, a sista he loves and adores. She feels the same for Slim, but that love is put to the test when an old flame steps back in her life, and he is also rich. Seven figure, professional athlete rich. Will she succumb to the old fire that's burning, or will she stay loyal? Finally there is Myte-a sexy Latina who is conniving and out to get paid. She beds on of Slim's most trusted men and it doesn't take long before she has him stealing from the crew. With the DEA and Chicago police on everyone's trail, Myte and the Latin Kings' top man, Felix, orchestrate a heist of a million dollars from Slim-a Chicago based mob outfits' million-and it causes the death of one of Slim's most trusted soldiers. Slim is devastated and exacts his revenge on all who weren't loyal and no one on the streets of Chicago or Gary is safe. Lady Audley's secret (Chimney corner series) by M. E BraddonF.M. LuptonWeathering critical scorn, "Lady Audley's Secret" quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, "Lady Audley's Secret" draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine? Lady Audley's secret is investigated by Robert Audley, aristocrat turned detective, in a novel that has lost none of its power to disturb and entertain. Nice Girls Don't Get the Corner Office: 101 Unconscious Mistakes Women Make That Sabotage Their Careers (Business Plus) by Lois P. FrankelBusiness PlusIf you work nonstop without a break...worry about offending others and back down too easily...explain too much when asked for information....or "poll" your friends and colleagues before making a decision, chances are you have been bypassed for promotions and ignored when you expressed your ideas. Although you may not be aware of it, girlish behaviors such as these are sabotaging your career!
Dr. Lois Frankel reveals why some women roar ahead in their careers while others stagnate. She's spotted a unique set of behaviors--101 in all--that women learn in girlhood that sabotage them as adults. Now, in this groudbreaking guide, she helps you eliminate these unconscious mistakes that could be holding you back--and offers invaluable coaching tips you can easily incorporate into your social and business skills. If you recognize and change the behaviors that say "girl" not "woman", the results will pay off in carrer opportunites you never thought possible--and in an image that identifies you as someone with the power and know-how to occupy the corner office.
|